All the cover elements were created in Adobe Illustrator, before being pasted, one layer at a time, into Photoshop for colour and texturing. The text and general layout was all done in InDesign, all of which had to be pasted into photoshop too, to use as layer masks when hiding/fading parts of the artwork.
The hardest part for me here was deciding how to create the contrast between both the real and fantasy halves of the picture and the main book background without ending up with some part of the image in negative. My first idea was literally just a spot with two silhouettes in, which I'm glad I managed to ditch, although it took me a while to work out how...
I like the final thing so much I'm selling a square, untextenated (its a word!) version of the cover art as print from my webshop. If you'd like to buy one click here!
